Well, no prizes for guessing what the theme of this month is. With the release of Enola Holmes 3 on the first of July, it pretty much chose itself, and way back in September 2024 I mentioned wanting to watch some of the other Sherlock Holmes adaptations that were floating around on YouTube.
The thing I found most interesting in watching so many in quick succession is the way they speak to each other across the years; how they’ve inspired and influenced each other. You can clearly see the shift from Watson as a doddering sidekick to a more respected partner, or the change in the treatment of subjects like colonialism and the British Empire, or even the use of the supernatural and its veracity.
For instance, it’s tempting to wonder if 1985’s Young Sherlock Holmes inspired the 2009 Robert Downey Jr film in its use of an occult-tinged mystery, and clearly the former’s use of colonization as a plot-point has markedly changed. Back then it was used to justify the existence of a creepy Egyptian cult and give the villains a sad backstory that was promptly ignored because they were sacrificing virgin girls. Fast-forward four decades and the British Empire’s treatment of its colonies makes for largely sympathetic “villains” in both Enola Holmes 3 and 2026’s Young Sherlock series.
It’s just fascinating the way these stories reach forward and back the way they do, providing a linked chain across the years.
Also, I saw a record three live performances this month, largely thanks to the fact it was the school holidays and I am determined to instill a love of theatre in my little nephew. As ever, two Babysitters Club books, the second instalment of trilogies from Philip Pullman, Scott Westerfeld and Philip Reeve, and a few Victorian-era Gaslamp period dramas. They went hand-in-glove with Sherlock Holmes.

