Well, no prizes for guessing what the theme of this month is. With the release of Enola Holmes 3 on the first of July, it pretty much chose itself, and way back in September 2024 I mentioned wanting to watch some of the other Sherlock Holmes adaptations that were floating around on YouTube.
The thing I found most interesting in watching so many in quick succession is the way they speak to each other across the years; how they’ve inspired and influenced each other. You can clearly see the shift from Watson as a doddering sidekick to a more respected partner, or the change in how subjects like colonialism and the British Empire are treated, or even the presence of the supernatural and its veracity.
For instance, it’s tempting to wonder if 1985’s Young Sherlock Holmes inspired the 2009 Robert Downey Jr film in its use of an occult-tinged mystery. What’s more, the former’s use of colonization as a plot-point has profoundly changed by the time we get to 2026. Back then it was used to justify the existence of a creepy Egyptian cult in London and give the villains a sad backstory that is promptly ignored due to their habitual practice of sacrificing virgins. Fast-forward four decades and the British Empire’s treatment of its colonies makes for largely sympathetic “villains” in both Enola Holmes 3 and this year’s Young Sherlock series.
It’s just fascinating the way these stories reach back and forth the way they do, providing a linked chain across the years.
Also, I saw a record three live performances this month, largely thanks to the fact it was the school holidays and I am determined to instill a love of theatre into my little nephew. As well as that, two Babysitters Club books, the second instalments of trilogies from Philip Pullman, Scott Westerfeld and Philip Reeve, and a few Victorian-era Gaslamp period dramas. They went hand-in-glove with Sherlock Holmes.

